Home Science Two Science-Artwork Philosophies – Utopia or Oblivion?

Two Science-Artwork Philosophies – Utopia or Oblivion?

A warning to the reader: This post argues that fashionable science has been turned upside down, revealing the cure to Steven Hawking’s observation that the greatest blunder humanity has ever made was to invent artificial intelligence. The correction to that miscalculation necessitates an up-to-day familiarity with Buckminster Fuller and C P Snow’s 3rd tradition, in which human survival is about getting a new standpoint on the unification of Science with Artwork.

Fairly than this new viewpoint constituting an assault on science, it attracts consideration to the critical worth of Fuller and Snow’s synergistic Science-Art principles. The hard work to spot individuals concepts inside of the perspective involved with very modern, important scientific discoveries, will allow for for a much better knowledge of the mother nature of fact, in specific, appropriate to carcinogenic development and advancement.

The Feb-Mar 2016 concern of Philosophy Now contained an post by Magdalena Scholle about how the philosopher, Nietzsche, motivated Dali. Her observation that Nietzsche’s first e book The Beginning of Tragedy justifies specific focus by artwork critics, is now just one of pivotal scientific relevance. Proof exists to reveal that Dali’s intuitive assessment of Nietzsche’s Two spirits of art, as he identified it, included one particular spirit becoming an expression of an interior stereoscopic evolutionary phenomenon.

Researchers argued that Dali’s properly regarded obsession with what he called “stereoscopic art” failed to resonate instantly to the viewers’ eyesight. For the duration of 2003, asymmetrical electromagnetic 3D viewing glasses had been manufactured and later marketed along with their patent (USD669522 – 3D eyeglasses) to the amusement business. The researchers that designed them noted that some of the paintings by the artists, Vincent van Gogh and Paul Cezanne, when seen as a result of their eyeglasses, depicted stereoscopic images. The philosopher of science, Immanuel Kant, laid the ethical foundations of the Electromagnetic Golden Age of Danish Science. Both of those he and the thinker, Emmanuel Levinas, had diagnosed Plato’s research for an inventive ethic as being an asymmetrical electromagnetic vision belonging to the imaginative head.

Dali’s passionately felt interior stereoscopic creative inspiration has now been designed obvious and measurable, as an evolutionary system. This simple fact warrants the essential awareness by philosophers of art that Scholle advocated. Asymmetrical electromagnetic visual observation now reveals that artists all above the entire world, in the course of the 21st Century, unconsciously paint substantially extra remarkable 3D stereoscopic photographs than artists throughout recorded history. The crucial consideration to this by philosophers of artwork will entail beating the severe tradition shock of clinical science staying turned upside down by the new stereoscopic awareness. This is ethically preferable to the entertainment industry disregarding it.

Eminent epidemiologists have noted that an acceleration of the commercial manufacture of stereoscopic 3D information and communication devices has brought about a dysfunctional 3D world epidemic. This challenge was summed up within just an MIT Technologies Overview by David Zax July 29, 2011 entitled, Does 3D Damage Your Eyes? Sure, Claims Science – Now how do we correct the stereoscopic mess we’ve gotten ourselves into? Zax refers to a paper posted in the American Government’s Nationwide Institute of Health’s Clinical Journal of Eyesight, July 21, 2011, in which it states “The paper practically treats 3D like a pressure of some virus that can not be contained, only addressed. The assumption seems to be that 3D is listed here to remain, and that as good epidemiologists we have to do what we can to mitigate the injury it inflicts.”

The organic evolution of stereoscopic internal eyesight and the stereoscopic epidemic clarifies Nietzsches’ ‘two spirits of art’, referred to by Scholle. The earlier mentioned pointed out culture shock embraces the similar problem that C P Snow attributed to the performing of mainstream science’s mindset. Einstein’s governing ‘Premier legislation of all of the sciences’ the common heat demise law, is now an obsolete understanding of the second regulation of thermodynamics, which incorrectly sentences all existence in the universe to frozen extinction. Quantum biological cancer research’s residing information and facts flows in the reverse route to next law thermodynamic warmth-decline electrical power.

Isaac Newton considered that mechanical to start with lead to ideas were “pretentious speculation”. Although Einstein harboured doubts about quantum mechanics’ infallibility, his knowing of the second legislation, based mostly on mechanical logic, can no lengthier to be deemed as the leading regulation of all of the sciences.

In the 2nd Edition of Encyclopaedia Perthensis, or Common Dictionary of Knowledge, Quantity 14, printed in Edinburgh by John Brown in 1816, Newton’s initial basic principle logic producing gravitational pressure has been quoted underneath the entry ‘Mechanical’ on page 118. Newton most emphatically stated that the cause of gravity is not mechanical. Less than the entry, ‘Mechanically’ he shown that mechanical gravitation very first result in ideas are pretentious. This information is quoted from Newton’s released 28th Question Discussions, in the next version of his journal, Opticks. Newton based mostly his denunciation of mechanical initial theory logic upon the work of historical Greek scientists, “… who built a vacuum and atoms and the gravity of atoms the initial principles of their philosophy tacitly attributing gravity to some other trigger than dense make any difference.”

Regardless of whether Newton was ideal or improper is irrelevant. Quantum mechanics and its offspring simply cannot produce initially cause theory logic that has been derived from the phony assumption that Newton held gravity to be brought about by the mass of objects in area.

This authentic argument reveals that science is becoming turned upside down, and it correlates with Snow’s argument that contemporary science does not converse about evolutionary biological processes, because it has no insight into the accurate nature of the next law. The absence of scientific synergistic conversation inside of mechanical and organic dialogue involves that significant proof be delivered, in individual, relating to the process of internal stereoscopic evolution.

The Proceedings of the Nationwide Academy of Sciences of the United States of The united states (vol. 101 no. 27, 2004) integrated the paper, Binocularity and Brain Evolution in Primates. It stated that although stereoscopic eyesight in primates is really elaborate, its “evolutionary objective is unfamiliar”. Conversely, The British Professional medical Journal on the 6th of August, 1953 ( vol 2, challenge 4831) published the paper Evolution of Binocular and Stereoscopic Vision in Man and Other Animals. In its summary, the concern is requested no matter whether sophisticated inner stereoscopic vision in the human head will make sure human survival or be used to ruin civilisation. This paper led to additional in-depth analysis and discovery, of immense human survival value, that has been disregarded by mainstream science. Researchers this kind of as CP Snow, the Nobel laureate, Szent-Gyorgyi and Buckminster Fuller, all realised that this dysfunctional component of scientific analysis, until rectified, would direct to the close of civilisation.

The stereoscopic investigate of the British scientists remained isolated from mainstream science till 2012, when it was fused into quantum biology by Professor Massimo Pregnolato and Professor Paolo Manzelli, recipients of that year’s Giorgio Napolitano Medal, awarded on behalf of the Republic of Italy. Collectively with the Italian artist, Roberto Denti, they linked Science-Artwork Research in Australia to their Italian quantum biology discoveries as being an integral element of the 21st Century Renaissance, a rebirth of the ancient Platonic Greek Science for moral finishes.

Also, in 2012, the physicist Male Deutscher’s reserve of the 12 months, By means of the Language Glass upgraded the discarded 19th Century evolutionary linguistic color notion theories of the British Key Minister, William Gladstone and the German philosopher of organic science, Wolfgang von Goethe. The ensuing neurological science was compatible with the Australian-Italian Science-Art quantum biology investigation conclusions. Additionally, the evolutionary system of unconscious creative instinct, observable nevertheless asymmetrical electromagnetic stereoscopic glasses provided for critical optics research growing upon the use of optical arithmetic concept during the 1980s. The measurement of the lifetime force governing seashell expansion and growth by means of area time, reprinted by the world’s greatest technological analysis institute, IEEE, in 1990, as an vital 20th Century discovery, is recorded in the online ebook, C P Snow and the NASA superior Strength Task.

Dali dismissed Descartes’ science exploration axiom, “I think as a result I am”, creating in favour of Freud’s 1st theory becoming the “Pleasure of Everyday living” paradigm. Platonic moral emotional initial bring about principles ended up linked with the mother nature of infinity by several philosophers of science including Newton, Liebniz and Georg Cantor. Cantor’s mathematical theories now uphold most of modern-day science. Nevertheless, his principle of ‘actual’ infinity completely upset the fashionable scientific intellect, which for quite a few decades has been governed by an out of date comprehension of the second legislation of thermodynamics. That legislation led to the evolutionary belief that the living approach must move towards extinction. Inside of this way of thinking, the idea that lifestyle could maybe evolve towards infinity by embracing infinite fractal logic technologies would seem to be difficult. Cantor, just one of history’s most renowned mathematicians, become the most detested 1 for his highly contentious paradigm, “The panic of infinity is a variety of myopia that destroys the probability of looking at the real infinite, even though it in its highest kind has designed and sustains us, and in its secondary transfinite forms occurs all all-around us and even inhabits our minds.”

In, Over and above Infinity: Georg Cantor and Leopold Kronecker’s Dispute more than Transfinite Figures, the author Patrick Carey wrote that the mathematician, David Hilbert, famed for his enhancement of Hilbert place, fundamental to the basis of functional analysis, wholeheartedly supported Cantor’s perform. He defended it by declaring that it was “very little fewer than the very best merchandise of mathematical genius and just one of the supreme achievements of purely intellectual human activity.” The creator of Brainfilling Curves, Jeffery Ventrella, researcher of infinite boundaries of fractal curves, wrote that Hilbert’s perform was about unique forms of infinity, further than mainstream science, in the remarkably vilified Cantorian feeling.

The human cell modifications its geometrical shape when it is poised to transmit 1st principle lead to data, as it divides alone as an infinite fractal expression. In his 2009 article, The Human Genome in 3 Dimensions, Brandon Keim gives the maximum resolution photo ever of the genome’s 3D framework at that crucial instant. Its fractal condition and not just its DNA material transmits overall health data in a way “which remains mainly unexplained by common” genomic science. In mathematical conditions, the cell employs a geometrical form belonging to the Hilbert curve family composition. Georg Cantor had totally investigated the Platonic Greek Science that Newton observed as currently being the suitable authority on 1st lead to basic principle logic, functioning in just their infinite universes.

We can now describe about Kant and Levinas’s asymmetrical electromagnetic ethics in a more sociable manner, in individual, to reveal how to obtain first trigger principles about the mother nature of dysfunctional carcinogenic expansion and improvement. They agreed with Plato that regular artwork was unethical. This can be explained by referring to the spirit of Greek art being increased by the culture of the Roman Empire. The Roman Colosseum, hailed within Roman lifestyle as the epitome of Greek art, in which the arithmetic employed in its building ended up utilised to construct stunning aqueducts, carrying fresh drinking water to the town of Rome. This was touted as currently being artistically top-quality to the artistic building of useless Egyptian pyramids. We can argue that the Colosseum’s Science-Art form, applied to stage sadistic functions of murder for the amusement of the populace, was an unethical art kind. This dysfunctional custom of Science-Artwork echoes the lead to of the international stereoscopic 3D epidemic, of worry to epidemiologists.

The 3D virus of issue to the epidemiologists is transmitted to the human brain by way of an inventive collaboration with contaminated arithmetic. By way of the world wide acceleration of information and facts and conversation units this virus has grow to be an incurable epidemic. The virus appears to be a strain of the mathematical dysfunctional intent placed into poker devices, exactly where aesthetically satisfying appears and colour pictures can deliver about a heroin-like habit, persuasive some people today to play themselves into a point out of personal bankruptcy. Large governmental revenue from legalised poker machine gambling echoes the composition of the international stock market place, in which the world financial debt of 200 trillion pounds are unable to be paid.

The operating of residing cells as an electromagnetic device is properly understood and its connected ethical nature can be thought of to belong to an infinite universal evolutionary objective. Nietzsche’s classic knowledge of the spirit of artwork is confined to the stream of carcinogenic heat loss of life logic. Dwelling information can manipulate its way as a result of the infinite geometrical shape of the mobile poised to divide by itself, nevertheless, the circulation of warmth demise power, flowing in the opposite direction can add no appropriate info about that process. Having said that, Dali’s stereoscopic science intuitions are sympathetic to the spirit of the electromagnetic stereoscopic initially lead to non-carcinogenic information and facts, transmitted to the daughter mobile as a to start with bring about logic communication, in the evolution of emotional consciousness.

At the quite minute of mobile division we see that its infinite geometrical form does not make it possible for the conventional spirit of artwork to predominate in the human evolutionary procedure, but utilises one particular linked with infinite stereoscopic internal eyesight.

The author of Residing Cells are Electromagnetic Units, Dr Riejo Makela M. D., has spent a life time arguing that,“By employing the closed circuit techniques [obeying obsolete carcinogenic heat death law] when learning living cells, the researchers of now reject the obligatory existence of magnetic fields with electric fields.” He argues that in this attitude, an comprehension of initially trigger cancer advancement and growth is prevented. He is 1 of numerous experts that have pointed out that standard mathematics is unable to explain first result in concepts concerned in fixing the conundrum of how, after mobile division, both cells are identical.

Dali’s stereoscopic theories can appear to be linked with an intuitive Greek logic about first principles, substantially the exact same as the New York Library of Science in 1957 published the guide Babylonian Mythology and Modern-day Science, which said that Einstein derived his idea of relativity from the mythological mathematical instinct belonging to Babylonian culture. C P Snow in his Science-Art Third Society modified both Dali and Einstein’s intuitive origins, in which 21st Century quantum mechanics’s evolution of stereoscopic vision later became a arduous basis for the new upside-down science. Snow’s Science-Artwork theories, specifically distinctive from conventional, unethical Science-Art logic, transposed Newton’s first theory logic, and Dali’s emotional intuitions, into possibly simple technological facets of the abovementioned Deutscher linguistic color perception theories.

The 2013 discovery that the junk DNA helix communicates wellbeing and wellbeing details to DNA, and is regarded to be applying an internal stereoscopic 3D language is now of essential relevance. In 2004, Harvard University, Massachusetts College and the Royal Danish Consulate, held an worldwide symposium to demonstrate to the environment about the social significance of the message of the electromagnetic Golden Age of Danish Science. They famous that it experienced been generally written in Danish and not translated, generating it “invisible to English talking scholarship.” This article is an attempt to support the amazing upside-down mainstream science to synergise with C P Snow and Buckminster Fuller’s human survival 3rd Culture, in the name of Utopia or Oblivion.